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a door
… Christopher Hench
… Elizabeth
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To me, Peter Hapak’s studio portraits resemble animal capture. This for me is a good thing: animal status being the high table. There is a plainness to Peter’s light which give all his images a sort of pioneer quality, somehow, as if the dust from long journeying is involved: his portraiture signifies—beyond a recording—a kind of reckoning. I feel a little bleached by his light here, not inappropriately, like something discovered under a hedge.
Tilda Swinton on Being Photographed - Time by Peter Hapak, December 8th 2011
(Source: TIME)